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RAMMEL CLUB #92

Jon Collin 
It sounds as if Collin has been attuning his ears to the sounds of the natural world for some time, and brought his guitar directly into line with it. Generating a fluidity and calm (seemingly without overt repetition) which at times induces similar effects as top draw drone musics. Whilst on this path Collin has developed a technique which appears quite singular - quite a rare achievement for a man with a six string playing the blues, in these times. You may also know him from his Winebox Press label, or previous bands he's featured in such as Whole Voyald Infinite Light and Serfs. 
https://earlymusic.bandcamp.com/album/the-nature

Rob Noyes 
"On the way to developing his own compositional/performance approach, Noyes sometimes seems to have absorbed an almost infinite reservoir of influences. Apart from some superb Basho-like 12-string tunneling, most momentary fragments tend to recall legendary Limeys like John Renbourn (and through him, Davey Graham),…

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